Short One Act Play Followed By In-Depth Analysis And Commentary
Thursday, July 31st, 2008Short One Act Play, by Sam, Problemchildbride.
Girl: Ever get unaccountably sad?
Boy: Sure I do, we all do.
Girl: Which is worse, do you think? Unaccountable sadness or sadness for a reason?
Boy: Who cares? Cheer up, you miserable bint!
THE END
*
Late Night Arts Show Commentary on Short One Act Play.
Knowledgable Theatre Critic In Black Polo Neck In Dark Studio Making Him Look Like Just A Head: Hmmnyes mmnyes. I see. Mnyesyesyesyes. An interesting treatment of an age-old puzzle in PCB’s newest play. I like the way Sam has voiced a pointless question and then very cleverly failed to answer it. That’s a very post-meta-ist thing to do, and although it’s an incredibly easy and mindless technique, that only adds to its post-metaism. In addition she has trivialised the whole question of despair using the common enough trope of forced incongruous humour. This is an old trick but in juxtaposing the old with the ultra modern post-metaism she is, I feel, commenting on society today in the larger sense of its meaninglessness.
Interviewer: You don’t think she’s just writing down any old crap and seeing where it ends up then, do you?
Knowledgable Theatre Critic In Black Polo Neck: Aha, well, you see, lack of thought in plays is the newest thing, the very newest, darling. She’s being extraordinarily brave and avant-garde, I feel. Clearly, Tom Stoppard, or anyone with any real clue about the theater would think it was rubbish, but being rubbish is not the point, you see. Indeed it is hardly ever the point. This is exactly the sort of cutting edge tripe work that keeps people in black polo necks like me in a job. I think she’s marvellous and I shall be saying so tomorrow in my highly influential newspaper column.
Interviewer: Uh-huh. Do you not see any irony in the fact that this commentary has already gone on longer than the actual play?
Knowledgable Theatre Critic In Black Polo Neck: My dear fellow, I could go on all night in this grating tone of voice.
Suddenly Grey and Defeated Looking Interviewer: Some might say she just couldn’t think of a post tonight and was a bit gloomy for no real reason so she desultoraly typed out something unutterably stupid.
Smirking Knowledgable Theatre Critic In Black Polo Neck: Well, you see, that’s where you need me. To explain to you why you’re wrong on almost every point, and to make you and all your viewers feel stupid and inferior, sitting at home on their inelegant sofas with their high-street garments and not getting the high, high pop art that Sam has accomplished here.
Interviewer, Pinching Bridge Of Nose: You mean she was on some sort of illegal drugs when she penned this.
Knowledgable Theatre Critic In Black Polo Neck: No, if you look at Sam’s past interviews you’ll notice she has always regretted not taking nearly enough illegal drugs.
Interviewer, Emboldening: I would submit that, after this…frankly disappointing effort, she probably needs a little something to raise her standard of work a little.
Knowledgable Theatre Critic In Black Polo Neck: If by frankly disappointing effort you mean the crowning achievement of her blog and nascent theeyater career, then I concur.
(Interviewer stares at Knowledgable Theatre Critic In Black Polo Neck for some time).
Sombre Interviewer Turning To Camera: That appears to be all the time we have for this topic. Thank you so much, Mr. Knowledgable Critic, for your illuminating insights… Now, after the break we will be speaking to Ms. Diaphonous Scarves In Her Hair about some other idiot thing or other… my God! Is this what I got my English pHD for? To nod mindlessly at complete wankers every night in an ill-lit room? Why are we sitting in a black room, anyway? And where do they find these ridiculous people? And what the hell was that bloody awful Short One Act Play all about anyway, eh? I’ll tell you what – nothing, that’s what, nothing.
(Begins to unmike, continues to rage)
I mean, I’m seriously losing the will to live here talking about this desperately Godawful cra…
(Screen goes to commercial advertisements for the people at home… On set, the studio producer burst out crying and orders the assistant studio producer to go and fire that bastard host immediately for messing up his one big chance to actually, finally, produce (produce!), to prove himself capable of doing grown up serious programming. Who’s going to hire him now, after this debacle? the studio producer demands to know. Who?? he sobs. He slumps down heavily on his producer’s stool, certain that it’s back to bloody children’s programming for him.)


